The Writing of Oneself in the Feminine Plural in Love, Fantasia and Vast is the Prison of Assia Djebar
In this article about Assia Djebar I propose about her experience of writing as a woman, to see how the writing of oneself takes in her meaning in a subversive deviation. Compared to the initial norms of the autobiography and to explain finally how the image of the woman in Love, Fantasia and Vast is the Prison is between two states of presence, namely a real closing and an imaginary opening.
"L'écriture de soi au féminin pluriel dans L'Amour, la fantasia et vaste est la prison de Assia Djebar,"
Dirassat: Vol. 10, Article 13.
Available at: https://digitalcommons.aaru.edu.jo/dirassat/vol10/iss10/13