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Dirassat

Abstract

This article takes stock of a reflection on the different isotopic relationships woven in the song of women eṣ-ṣeff by Aît Znassen. This reflection is essentially based on the analysis of five isotopies, namely generic, specific, mixed, inherent and afferent isotopies. The study of these isotopies has shown that, although they have points in common insofar as they are all based on the recurrence of one or more semes, they have, in exchange, points of divergence, due to the fact that each of them has a property that distinguishes it from other isotopies. This analysis also made it possible to note the predominance of afferent isotopies and specific isotopies participating in the symbolic or metaphorical connections that women seek to create by singing in order to escape the suspicions and reproaches of others.

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