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Dirassat

Abstract

The literary text, regardless of its authors, does not carry a single, unequivocal voice anchored in an experience identifiable in a space situated in a specific time. This statement may provoke astonishment. Yet, this text, a complex reality in itself, like the canvas, invites a new way of reading and interpreting. This would allow us to discover either the constructive dialogue of proximity; or the echo of inter-personal violence; both revealed through the intertext. This article will attempt to examine this dual dimension in the work of Mohamed Nedali, thanks to Jean De La Fontaine.

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