This paper studies the manifestation of the ideas of others- Attnas- (texuality) in the contemporary Palestinian resistance poetry. Attanas is consesidered as an approach for appreciating the text’s aestheticism from an exteternal view that does not ignore the aestheticism of the eternal structure of the text. This study deals with four types of Attanas. These are: external, enternal, personal and poetic tanas along with other artistic forms like stories, plays and other poetic types like ballads and column poetry.
The paper shows that Attanas and traditions are considered an approach for making the text contain passionate, intellectual and aesthetic heritage. This includes a lot of nice aesthetics like the antonym which includes difference in attitude and image. The partial image covers a lot of things that configurate a global image. The paper shows the Attanas and privacy linguistically and stylistically as one of the types of textual interaction that represents a type of repetitive data that refer to an idea or linguistic denotation or other aesthetic types.
The study also clarifies that the poets of Palestinian resistance tackled new texts in an interaction that derives from knowledge or without knowledge.
"تجلّيات التّناص في شعر المقاومة الفلسطيني المعاصر,"
Hebron University Research Journal-B (Humanities) - (مجلة جامعة الخليل للبحوث- ب (العلوم الانسانيه: Vol. 5
, Article 4.
Available at: https://digitalcommons.aaru.edu.jo/hujr_b/vol5/iss2/4