This study examined a novel (Yahya) Jordanian writer Samiha Khreis, who try to stand on the epic features, stood on the concept of the epic, and the dialectical relationship between art and history in this kind of novel. I started on the historical deep of the novel, from writer trying to create a state of Instant between past and present, writing in the present and to the present, and then moved to express heroes with the challenges of their reality, and their attempts to perpetual victory overtaking, in an effort to achieve their desires. After this study examined the legendary space, represented in bilateral drama immortal struggle between good and evil, and the ruler and the ruled, and the strengths and weaknesses, and exceeded the central characters of the ordinary and unusual in nature to the amazing and legendary. The study concluded by talking about the propensity poetic in its language in particular, and the impact on the rhythm of the novel between speed and deceleration, and it relates to figures of the novel, and time, and place in general, noting the role of the narrator omniscient in the prevalence of conscience backbiting been remarkably, in harmony structure the novel with its substance.
"السمات الملحمية في رواية “يحيى” لسميحة خريس,"
Hebron University Research Journal-B (Humanities) - (مجلة جامعة الخليل للبحوث- ب (العلوم الانسانيه: Vol. 8
, Article 9.
Available at: https://digitalcommons.aaru.edu.jo/hujr_b/vol8/iss2/9