This paper deals with themes of exchange in ceramic production, between the Islamic world, presented by Iznik in Turkey, and Italy in Europe. This exchange took shape in the emergence of a special form of ceramic plates of Italian tradition in Iznik. This type of ceramic plates known as “Tondino” dishes was fashionable in Italy around 1500-1530 A.D. Iznik workshops had produced identical samples in the contemporary period as well. On the other hand, decorative elements of Iznik had greatly influenced Italian maiolica production. Of these spiral scrolls of the “Golden Horn”, this was applied on Italian maiolica Albarello vessels. Furthermore, decorative elements of Rhodian style with their characterized polychrome design are imitated in Paduan workshops of Italy. In addition, various plates of Iznik production had combined between traditional decorative elements together with European heraldry of Italian families. Thus, such samples specifying a true image of the cross- cultural exchange between the Near East and the West.
This paper aims at:
- Shedding light on the role of Muslim artisan in ceramic industry and their effect on the Western civilization, Italy in particular.
II. Emphasizing that Muslim artisans had been influenced by the civilization of the West and adapted what suits their tradition and religion as well.
- Illuminating the influence of political and economic status of the Ottoman Empire and Italy on all industries; and ceramics in particular.
"Cross- Cultural Exchange Between the Islamic World and Europethrough 10th-12thcenturies A.H/16th-18thcenturies A.D (Iznik ceramic and Italian maiolica as a case study),"
Journal of the General Union of Arab Archaeologists: Vol. 4
, Article 1.
Available at: https://digitalcommons.aaru.edu.jo/jguaa/vol4/iss2/1